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- A review of Lord Horror #7 (Hard Core Horror #5) and Lord Horror #8 (Reverbstorm #1)
- A review of Kenny Soward's Rough Magic
- GUEST POST (AND GIVEAWAY): Life (almost) imitating art by Sean Benham, author of Blope
- A review of D.E.M. Emrys' From Man to Man
- A review of Lord Horror: Reverbstorm (script by David Britton, art by John Coulthart)
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Average 3.17
'He came to the gate of the graveyard. There could be no doubt. The wool ran over the fence next to the gate, as if his quarry had sailed clean over it. Dumbly, he gripped it, as if it were a lifeline, when in reality it was leading him towards death itself...'
In the bitter cold of an unrelenting winter Tomas and his son, Peter, arrive in Chust and settle there as woodcutters. Tomas digs a channel of fast flowing waters around their hut, so they have their own little island kingdom. Peter doesn't understand why his father has done this nor why his father carries a long, battered box, whose mysterious contents he is forbidden to know. But Tomas is a man with a past; a past that is tracking him with deadly intent. As surely as the snow falls softly in the forest of one hundred thousand silver birch trees, Father and son must face a soul-less enemy and a terrifying destiny.
Set in the remote and forbidding landscapes of the seventeenth century this is a heart-rending story of loss and redemption, and inspired by the original vampire folklore of Eastern Europe it represents a unique regeneration of a timeless myth.






