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  • We Are All Legends

We Are All Legends

by Darrell Schweitzer
We Are All Legends by Darrell Schweitzer
★ 10.00 / 1
123456789110

"In the 1970s, the heyday of swords and sorcery, a deluge of bad heroic fantasy flooded the market; as a result, since the early '80s, hardly any swords-and-sorcery books have been published outside the Conan the Barbarian series, the Fafhrd and Gray Mouser books, Michael Moorcock's Eternal Champion series, and Marion Zimmer Bradley's feminist Sword and Sorceress anthology series. The derivative '70s swords and sorcery deserved to be washed away, but some worthwhile works disappeared as well. Two lost series that deserved far better are Karl Edward Wagner's Kane books and Darrell Schweitzer's Sir Julian stories. Both series are well written and intelligent, and they share an even rarer trait: the dark, brooding sensibility that helped make Robert E. Howard's sometimes purple (and always scarlet) Conan stories so popular and memorable.

Now the Wildside Press has reprinted We Are All Legends, the long-unavailable collection of 13 linked stories about Sir Julian, the Crusader damned by God after a night spent with a Satanic witch. Julian roams Europe and the East, and strange lands not found on any map, seeking to escape his fate. In "The Lady of the Fountain," Julian's encounter with a lamia may destroy both the knight and his closest companion. In "The Veiled Pool of Mistorak," Faerie lords send Julian on a grim quest to find a city that exists no more and a man doomed ever to live. In "The One Who Spoke with the Owls," the penniless knight accepts a job before learning its terms and wakes to discover he has been hired to slay a pagan witch. "The Castle of Kites and Crows" presents a vision of cosmic reality that will chill the soul of anyone raised in a Christian faith. While the first-person narration occasionally makes Julian sound more self-absorbed than accursed, We Are All Legends is a fine entertainment that merits the attention of fantasy and horror fans."

– Cynthia Ward

Contents:

  • Introduction by L. Sprague de Camp
  • The Hag
  • The Lady of the Fountain
  • Island of Faces
  • The Veiled Pool of Mistorak
  • The One Who Spoke with the Owls
  • The Castle of Kites and Crows
  • The Riddle of the Horn
  • Divers Hands
  • The Unknown God Cried Out
  • Into the Dark Land
  • A Fabulous, Formless Darkness
  • Midnight, Moonlight, and the Secret of the Sea
  • L'envoi
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FantasySword and SorceryShort Stories
Release date: 1981

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Darrell Schweitzer

Darrell Schweitzer

Darrell Schweitzer is a writer who thrives in the spaces between the known and the unknown, where the eerie meets the sublime. Known for his work in the realms of dark fantasy, horror, and weird fiction, Schweitzer’s stories weave together the gothic and the surreal with an uncanny mastery. His writing is often described as atmospheric and layered, inviting readers to step into worlds where shadows linger just a little longer, and every corner holds a whisper of something ancient and mysterious.

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Born in the heart of Pennsylvania, Schweitzer’s literary path began in the world of speculative fiction—an interest sparked by his early exposure to the strange and supernatural. His stories frequently explore the unknown, blending elements of myth, history, and the occult, all the while maintaining a sharp, intellectual edge. Schweitzer’s writing doesn’t just indulge in dark beauty; it challenges the boundaries of genre itself, often blurring the lines between fantasy, horror, and literary fiction.

Schweitzer’s career spans decades, with numerous short stories, novellas, and collections to his name. His work has been featured in anthologies alongside some of the most well-regarded authors of his time, and his contributions to the field of speculative fiction are widely respected. Beyond fiction, Schweitzer’s talents also extend to editing and commentary, often providing insight into the evolution of genre fiction with the same eerie precision he brings to his stories.

His stories resonate with those who crave depth and complexity in their speculative tales. Whether he’s crafting an unsettling dreamscape or probing the darkest corners of human nature, Schweitzer’s writing is never predictable. It invites the reader to venture into uncomfortable places, to question what is real, and to find beauty in the bizarre.

Darrell Schweitzer’s influence in the genre remains profound, and his works continue to captivate those drawn to the darker side of storytelling, where the lines between reality and fantasy are never quite so clear.

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