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The Blade Itself

The First Law Trilogy #1 / 3
by Joe Abercrombie
The Blade Itself (The First Law Trilogy #1) by Joe Abercrombie
  ★ 8.02 / 82
11★12★3★24★15★76★67★378★99★1810★

Tähtifantasia Award nominee 2010.

Logen Ninefingers, infamous barbarian, has finally run out of luck. Caught in one feud too many, he’s on the verge of becoming a dead barbarian – leaving nothing behind him but bad songs, dead friends, and a lot of happy enemies.

Nobleman, dashing officer, and paragon of selfishness, Captain Jezal dan Luthar has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules.

Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government... if he can stay alive long enough to follow it.

Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glotka a whole lot more difficult...

Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood. Unpredictable, compelling, wickedly funny, and packed with unforgettable characters, The Blade Itself is noir fantasy with a real cutting edge.

“If you're fond of bloodless, turgid fantasy with characters as thin as newspaper and as boring as plaster saints, Joe Abercrombie is really going to ruin your day. A long career for this guy would be a gift to our genre.” – Scott Lynch

“An exciting new entry to the heroic fantasy ranks – rough-and-tumble, bold and authentically original.” – Jeff VanderMeer

“The Blade Itself by Joe Abercrombie is the best new fantasy book I’ve read in the last 10 years. Yes. You heard that right.” – Andy Remic

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Standard Shelves
Updated 05/20/2025
Category: Fantasy, Dark Fantasy, High Fantasy
Release date: May 2006

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Joe Abercrombie

Joe Abercrombie

In the grimy taverns and blood-soaked battlefields of modern fantasy, Joe Abercrombie’s name is spoken with equal parts awe and amusement. Known for dragging epic fantasy out of its shining armor and into the mud, Abercrombie has built a reputation for turning genre conventions on their heads—then lopping those heads clean off.

Born in Lancaster, England in 1974, Abercrombie didn’t set out to be the crown prince of grimdark fiction. He studied psychology at Manchester University, worked as a freelance film editor, and quietly began drafting a story filled with flawed warriors, crooked politics, and sharp tongues. That story became The Blade Itself, the first book in The First Law trilogy—a debut that landed with a thud, a cheer, and the metallic ring of steel meeting steel. From there, the world of Logen Ninefingers, Glokta, and Jezal dan Luthar took on a life of its own, where even the heroes are liars, cowards, or worse—and the villains are often more honest.

Read more ...

What sets Abercrombie apart isn’t just the violence or the cynicism. It’s his uncanny ability to make readers laugh in the middle of a massacre, to root for a torturer, to see beauty in brutality. His characters are messy, wounded, and painfully human. Dialogue crackles with wit, plots twist like a knife in the gut, and the moral compass spins wildly from page to page. Fans of Game of Thrones and The Witcher have found a home in Abercrombie’s morally gray universe, where loyalty is rare and survival is a daily gamble.

Beyond The First Law trilogy, Abercrombie expanded his world with standalone novels like Best Served Cold and Red Country, each one diving deeper into themes of vengeance, justice, and the cost of power. His Age of Madness trilogy pushes the timeline forward—and the stakes higher—as industry, revolution, and class warfare reshape his brutal world. Yet, through all the mayhem, Abercrombie never loses sight of the individual—the broken soldier, the jaded noble, the reckless idealist—all clawing for purpose in a world that offers none.

Despite his dark settings, Abercrombie himself is known for a disarmingly dry sense of humor and a laid-back presence. When asked about his infamous tone, he once joked, “I suppose I find cynicism and sarcasm easier to write than nobility and heroism.” That self-awareness bleeds into his work, giving his novels a razor-sharp edge of irony that fans have come to love.

Today, Abercrombie is widely recognized as one of the leading voices in modern fantasy—though he’d likely scoff at the compliment. His books have been translated into multiple languages, earned critical acclaim, and built a fiercely loyal readership. But for all the accolades, his stories remain rooted in the same murky moral questions: What makes someone good? What does power cost? And can anyone truly change?

In Joe Abercrombie’s world, nothing is ever simple. And that’s precisely what makes it so unforgettable.

The First Law Trilogy

The First Law Trilogy consists of three books. The current recommended reading order for the series is provided below.

Main series World of the First Law

The Blade Itself (The First Law Trilogy #1)
  ★ 8.02 / 82
Before They Are Hanged (The First Law Trilogy #2)
  ★ 8.40 / 63
Last Argument of Kings (The First Law Trilogy #3)
  ★ 8.46 / 50

Book Reviews

03/05/2008
Bluejay avatar
Bluejay
59 books, 27 reviews
★★★★★★★★★★ 10 / 10

The book started with an action scene, grabbed me along and didn't let go till I had finished the last page, wanting to get my hands on the next part immediately. The Blade Itself is one of the best fantasy novels I've read in a long time. Although it probably would lose the contests of fine style and epic scope to some other great books, I think it's undeniable that Abercrombie is a great storyteller. Although the characters are almost cartoonish caricatures and humor blossoms even in the most grim scenes, under all the lightness runs a darker undercurrent, a hint of what the future might bring to the heroes and heroines of the story.

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