Summerland
From Hannu Rajaniemi, one of the most exciting science fiction writers in the last decade, comes an awe-inspiring account of the afterlife and what happens when it spills over into the world of the living
Loss is a thing of the past. Murder is obsolete. Death is just the beginning.
In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for the recently deceased.
Yet Britain isn’t the only contender for power in this life and the next. The Soviets have spies in Summerland, and the technology to build their own god.
When SIS agent Rachel White gets a lead on one of the Soviet moles, blowing the whistle puts her hard-earned career at risk. The spy has friends in high places, and she will have to go rogue to bring him in.
But how do you catch a man who’s already dead?
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Hannu Rajaniemi
Hannu Rajaniemi is a name that echoes through the corridors of modern science fiction, his stories weaving intricate plots with mind-bending ideas that challenge the very fabric of reality. Born in Finland, Rajaniemi’s deep love for speculative fiction was nurtured from an early age. As a child, he was captivated by the expansive worlds of science fiction and fantasy, and these early influences would go on to shape his distinct narrative voice.
What sets Rajaniemi apart in the world of science fiction is his ability to combine complex, high-concept ideas with deeply human emotions. His debut The Quantum Thief, the first book in the Jean le Flambeur series, dazzles with its intricate world-building, a universe where digital identities, memories, and post-human technologies collide. But Rajaniemi’s genius lies in how he uses these speculative elements to explore questions of identity, free will, and the nature of intelligence—questions that feel as relevant to our world as they do to his far-flung futures.

