The Bad Place
Frank Pollard awakens in an alley, knowing nothing but his name - and that he is in great danger. Having taken refuge in a motel, he wakes again only to find his hands covered in blood. As far as he knows, he's no killer. But whose blood is this, and how did it get there? Over the next few days Frank develops a fear of sleep, because each time he wakes he discovers strange objects in his hands and pockets - objects far more frightening than blood.
Husband-and-wife detective team Bobby and Julie Dakota specialize in high-ticket corporate security investigations, but when a distraught and desperate Frank Pollard begs them to watch over him, they can't refuse. Out of compassion - and curiosity - they agree to get to the bottom of his mysterious, amnesiac fugues.
It seems a simple job: just follow a client who wants to be watched and tell him where he winds up. But as the Dakotas begin to discover where their client goes when he sleeps, they are drawn slowly into ever-darkening realms where they encounter the ominous figure stalking Frank. Their lives are threatened, as is that of Julie's gentle, Down's-syndrome brother, Thomas.
To Thomas, death is "the bad place" from which there is no return. But Julie and Bobby - and their tortured client - ultimately learn that equally bad places exist in the world of the living, places so steeped in evil that in contrast death seems almost a relief.
Dean Koontz
Dean Koontz is a master of suspense, blending chilling thrills with profound emotional depth in a way that has made him one of the most recognized names in contemporary fiction. With over 100 novels published and millions of copies sold worldwide, his work spans across genres, from psychological thrillers to supernatural mysteries, consistently captivating readers with intricate plots and unforgettable characters.
Born in 1945 in Everett, Pennsylvania, Koontz’s early life was marked by a love for storytelling and a fascination with the darker sides of human nature. His writing career began in the 1960s, but it wasn’t until the late 1970s and early 1980s that he truly began to find his voice, capturing the essence of fear and wonder with books like Whispers and Phantoms. These works cemented his place as a writer who could combine edge-of-your-seat tension with deep psychological insight.