The most honored (and the most controversial) writer in the field of imaginative literature is at the peak of his volcanic form in these eleven previously uncollected stories that (if they don't rip aside, at least) pull back for a disturbing view the veil separating us from our possible futures. These are stories of odd delusions, wry fantasms, terrifying glimpses of where we're going, individually and as a species... stories that sound a cautionary note about the foolhardiness of Humanity tinkering with a Universe that, up till now at least, has been content to let us survive here on this infinitesimal dust-mote... as long as we don't get too smart for our own good.
The fires that Ellison sets with these stories range from the ultimate futuristic sexual experience to the terrible and oddly poetic fate that befalls a man who programs the death of entire worlds, to the apocryphal saga of the very last student militant in a nation of universities that have become armed camps. There's also the uproarious Yiddish science fiction story "I'm Looking for Kadak" and the touching "One Life, Furnished in Early Poverty" that seems to tie in closely with the author's memories of his own childhood.
Harlan Jay Ellison (1934-2018) was an American writer, known for his prolific and influential work in New Wave speculative fiction, and for his outspoken, combative personality.
His published works include more than 1,700 short stories, novellas, screenplays, comic book scripts, teleplays, essays, and a wide range of criticism covering literature, film, television, and print media. Some of his best-known work includes the Star Trek episode "The City on the Edge of Forever", A Boy and His Dog, "I Have No Mouth, and I Must Scream", and " 'Repent, Harlequin!' Said the Ticktockman", and as editor and anthologist for Dangerous Visions (1967) and Again, Dangerous Visions (1972). Ellison won numerous awards, including multiple Hugos, Nebulas, and Edgars.