The Slow Regard of Silent ThingsPatrick Rothfuss
fantasy > high fantasy
A novella. Illustrated by Nate Taylor.
Deep below the University, there is a dark place. Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place.
Her name is Auri, and she is full of mysteries.
The Slow Regard of Silent Things is a brief, bittersweet glimpse of Auri’s life, a small adventure all her own. At once joyous and haunting, this story offers a chance to see the world through Auri’s eyes. And it gives the reader a chance to learn things that only Auri knows...
In this book, Patrick Rothfuss brings us into the world of one of The Kingkiller Chronicle’s most enigmatic characters. Full of secrets and mysteries, The Slow Regard of Silent Things is the story of a broken girl trying to live in a broken world.
Patrick James Rothfuss (born June 6, 1973) is an American writer of epic fantasy. He is best known for his projected trilogy The Kingkiller Chronicle, which has won him several awards, including the 2007 Quill Award for his debut novel, The Name of the Wind. Its sequel, The Wise Man's Fear, topped The New York Times Best Seller list.
He currently lives in central Wisconsin where he teaches at the local university. In his free time Patrick writes a satirical humor column, practices civil disobedience, and dabbles in alchemy. He loves words, laughs often, and refuses to dance.
The Kingkiller Chronicle :: Series
The Kingkiller Chronicle is a fantasy book series by Patrick Rothfuss, which recounts the story of Kvothe, an adventurer, arcanist and famous musician. The book is largely told in a "story-within-a-story" format, where the reader learns about the story of Kvothe's life as he narrates it to a scribe.
The plot is divided into two different timelines: the present, in which Kvothe tells the story of his life to a man known as the Chronicler in the Waystone Inn, and Kvothe's past, which makes up the majority of the first two books. The present-day interludes are in third person from the perspective of multiple characters, while the story of Kvothe's life is told entirely in the first person from his own perspective.