“The idea was lost but the memory was here.”
Phyllis Ewans, a prominent researcher in Lepidoptera and a keen walker, has died of old age. Thomas, a much younger fellow researcher of moths first met Phyllis when he was a child. He became her carer and companion, having rekindled her acquaintance in later life.
Increasingly possessed by thoughts that he somehow actually is Phyllis Ewans, and unable to rid himself of the feeling that she is haunting him, Thomas must discover her secrets through her many possessions and photographs, before he is lost permanently in a labyrinth of memories long past.
Steeped in dusty melancholy and analogue shadows, MOTHLIGHT is an uncanny story of grief, memory and the price of obsession.
Adam Scovell is a writer and filmmaker from Merseyside now based in London. His writing has featured in The Times, BFI, Sight & Sound, Little White Lies and The Quietus. He runs the website, Celluloid Wicker Man, and his film work has been screened at a variety of festivals and events. In 2015, he worked with Robert Macfarlane on an adaptation of his Sunday Times best-seller, Holloway, and has worked on films alongside Stanley Donwood, Iain Sinclair and BAFTA-nominated director, Paul Wright. His first book, Folk Horror: Hours Dreadful and Things Strange, was published by Auteur in 2017 and he is currently in the final stages of completing his PhD at Goldsmiths University.