DJSturbia
DJSturbia is home to monsters.
All kinds of monsters, from skyscraper-sized Godzilla (twice!) to the microscopic space germ known as the Andromeda Strain.
Monsters human and inhuman, from fictional psycho killers to the real-life terrorists of 9/11.
Lovecraftian horrors. Extraterrestrial insects. Giant serpents. Gargoyles and ghosts. Gunfighters and assassins. The battlefield monstrosities known as Warbirds, the alien invaders called Black Widowers, and — oh, yes — a little critter named Bob.
Classic monsters lurk here, too: That Creature from That Lagoon. That Thing from Another World. Monsters living, monsters dead … and in-between.
David J. Schow’s newest collection features his usual lucky thirteen
short stories — shoot ‘em ups, horror noir, and surprises aplenty —
plus, for the first time, a poison-candy sampler of thirteen additional
essays covering everything from The Crow to live snake-handling.
A World Fantasy Award winner for short fiction, DJS has come to escort you into the dark suburbs of his imagination — DJSturbia.
From Publishers Weekly (Starred Review):
“This excellently chilling compilation of 13 short stories and 12 personal reminiscences covers the entire horror genre... Great writing, boundless creativity, and remarkable career recollections make this a truly wonderful compilation.”
Contents:
- Now Hold Still
- After 9/11
- The Last Song You Hear
- Bloodstock
- Graveside
- Death to Decaf
- Denker’s Book
- Thirty-Eight Days Later
- Blue Amber
- We Have Always Fought Giant Monsters
- A Home in the Dark
- The Traps of Nostalgia
- A Gunfight
- The Mulholland Muse
- The Finger
- Why You’ll Never See Crow Chronicle
- Two Scoops
- Two More Scoops... of Celluloid
- Three Missing Footnotes from the Bad Time
- The Dream of a Masked Man
- The Ghosting
- Catacombs (Introduction)
- The Chili Hunters
- Faux God of the Maus Haus
- Warbirds
- Afterwordia
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David J. Schow
David J. Schow (born 1955) is an American author of horror novels, short stories, and screenplays. His credits include films such as The Crow and The Texas Chainsaw Massacre: The Beginning. Most of Schow's work falls into the sub-genre splatterpunk, a term he is sometimes credited with coining. In the 1990s, Schow wrote a regular column for Fangoria magazine.
In 1987 Schow's novella Pamela's Get won a Bram Stoker Award for best long fiction. "Red Light" won the 1987 World Fantasy Award for Best Short Fiction.

