The Martian

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into the tagline mix, however, and suddenly I was curious enough to give The Martian: A Novel a chance, Hey, what can I say . . . but I'm glad I did! This was an absolutely stellar read, one that is full of action, drama, humor, and real emotional engagement. It's a testament to Weir's storytelling that, going into the last ten pages, I honestly wasn't sure whether Mark Watney was really going to survive. The story wastes no time getting started, and the situation is almost as exceedingly dire as it is tragic. It's also a very lonely, claustrophobic start to the tale, with Mark the only character in a very small-scale drama. He's got a habitat, a rover, and a spacesuit. That's it. That's all. He can't even communicate with his ex-crewmates, much less anyone back home. He has a plan for sustaining himself by cultivating the potatoes NASA sent for Thanksgiving dinner, but it involves a lot of dirt, a lot of feces, a lot of urine, and some dangerous tampering with his life support systems. In the meantime, he has a USB stick full of disco tunes, a second full of 70s TV episodes, and a third full of murder mysteries. Just when you start to wonder how long Weir can maintain that kind of tension, we're finally transported back to Earth for the other half of the narrative. The world is in mourning for the lost astronaut, with Mark a fixture on just about every news program and talk show. When a SatCon search for his body instead turns up evidence of his survival, politics and emotion begin a battle that carries through right to the end. With all due respect to Mark's struggle - and this is one of the most fascinating survival stories you're likely to encounter - it's the Earthly drama that really sells the story, especially once it takes on a multinational dimension. • How much do you tell the public, and how much can you really hide from them? • Is it better to let his team think the've lost a crewmate, or to tell them they abandoned a man to his death? • Do you plan for a sustenance mission, rescue mission, or retrieval? • Most importantly, what is the life of one man worth, especially when the odds of survival are so astronomically stacked against him? There are some startling twists and setbacks to the story throughout, both on Mars and Earth, which keep the tension high and the reader guessing. There's also a lot of science and technical detail that I'm sure may try the patience of some readers, but which I found fascinating - even if I didn't always understand it. The journal style narration of Mark's story is important, in that it's his only form of communication for a very long time, and it's more realistic than if he were to set out to write his own story. Plus, that off-the-cuff, automatic permanent recording of his spoken thoughts allows for some moments of gallows humor that really help to humanize the astronaut and the scientist. If you are at all curious, then make the time for The Martian: A Novel. It's an amazing story that works as a human drama, science fiction adventure, and a sort of survival manifesto. Really, give it a read. You won't regret it. This is a read that is (if you'll excuse one last space pun) really out of this world.

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the thing to light a fire under us. We need that fire, we need it to send us screaming out of our state of stagnation. SPACE FUCK YEAH! Now, I'm not saying this book is perfect, or the best I've ever read. Andy Weir is not really a great writer. He's an excellent blogger, he's got a style and sense of humour that fits me well. All the log entries from Watney in the book are solid, but when he starts writing chapters in the third person perspective, everything unravels and falls flat. All the characters are talking heads, and difficult to tell apart...except Watney. The prose is pargmatic. Weir doesn't write more than he has to, to get to the next scene. But man, Weir sure knows how to do proper research, and then turn that research into a fun and interesting read, and not a tedious info dump. You go, Andy Weir, make space cool again!