Revolvo
A novella. Cover art by Ben Baldwin.
In the fictitious country of Canada the arts scene is ruled by technocrats who thrive in a secret, nepotistic society of granting agencies, bursaries, awards and peer review boards, all designed to permit self-proclaimed artists to survive without an audience.
In Revolvo, self-proclaimed "hack genre writer" Steven Erikson provides a daring expose of creative skullduggery in the wilds of a country suffering an interminable identity crisis. The names of plenty of real people have been changed and all specific details of the setting have been messed with, so if anyone guesses a certain prairie city in the middle Canada, where the author used to live, well, you'd be plain wrong. Besides, it was a long time ago and his memory is not so good.
Steven Erikson
Steven Erikson's writing is an intricate tapestry of history, mythology, and human experience, woven into the fabric of his expansive fantasy worlds. Born in Canada and trained as an archaeologist and anthropologist, his background in these fields lends a rich texture to his novels. His stories are not just escapist adventures—they are philosophical explorations into the nature of conflict, morality, and the intricate societies that shape human lives.
Erikson’s Malazan Book of the Fallen series stands as a towering achievement in epic fantasy. Its labyrinthine plots, vast world-building, and morally complex characters have garnered a loyal following, with each novel revealing new layers of depth. The series kicks off with Gardens of the Moon, a work that redefined the scope of fantasy with its mature themes and unflinching exploration of power, war, and the price of immortality. Recognized with critical acclaim and shortlisted for the World Fantasy Award, this series catapulted Erikson into the pantheon of modern fantasy giants.
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