The Harrowing
Baird College’s Mendenhall echoes with the footsteps of students heading home for Thanksgiving break, and Robin Stone, who won’t be going home, swears she can feel the creepy, hundred-year-old residence hall breathe a sigh of relief for its long-awaited solitude. As a massive storm approaches, four other lonely students reveal themselves to Robin: Patrick, a handsome jock; Lisa, a manipulative tease; Cain, a brooding musician; and Martin, a scholarly eccentric. Each has forsaken a long weekend at home for their own secret reasons.
The five unlikely companions establish a tentative rapport, but they soon become aware of another presence disturbing the building’s ominous silence. Are they the victims of an elaborate prank, or is the energy evidence of something genuine — something intent on using them for its own terrifying ends? Together, they’ll face three long days and dark nights before the world returns to find out what’s become of five students nobody wants and no one will miss...
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Alexandra Sokoloff
Alex is a California native who grew up in both Northern and Southern California as the daughter of scientist and educator parents, which drove her into musical theater at an early age. She acted, sang, danced and played classical piano through the turbulent tween years, and started directing plays at age sixteen, a year she also lived in Istanbul as an AFS exchange student and began college.
At U.C. Berkeley, she majored in theater and minored in everything that Berkeley has a reputation for. While not doing—everything else—she wrote, directed, and acted in productions from Shakespeare to street theater; trained in modern and jazz dance; directed and choreographed four full-scale musicals; spent a summer singing backup vocals in a bar at Glacier National Park, audited at least three times as many classes in various subjects as she was actually taking, and graduated Phi Beta Kappa, which is a miracle considering—well, never mind that. After college she moved down to LA where she simultaneously worked in a metaphysical bookstore, taught incarcerated juveniles in the LA County prison system, and read screenplays for various studios while she was writing her own first screenplay, which sold in a bidding war. So no, she’s never had a real job in her life.

