Lagoon
When a massive object crashes into the ocean off the coast of Lagos, Nigeria’s most populous city, three people find themselves running a race against time to save the country they love and the world itself... from itself. Lagoon expertly juggles multiple points of view and crisscrossing narratives with prose that is at once propulsive and poetic, combining everything from superhero comics to Nigerian mythology to tie together a story about a city consuming itself.
At its heart a story about humanity at the crossroads between the past, present, and future, Lagoon touches on political and philosophical issues in the rich tradition of the very best science fiction, and ultimately asks us to consider the things that bind us together – and the things that make us human.
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Nnedi Okorafor
Before Africanfuturism had a name, Nnedi Okorafor was already weaving its tapestry—melding ancient myth with high-tech dreams, and reshaping what speculative fiction could look like when rooted in African cultures rather than merely referencing them. Her stories aren’t just tales of distant planets or magical beings; they’re fiercely alive, humming with ancestral memory, political edge, and the uncanny rhythm of the unexpected.
Born in the United States to Nigerian immigrant parents, Okorafor has always stood at the crossroads of cultures—and that liminal space pulses through her work. Whether it’s a semi-sentient spaceship shaped like a giant shrimp (Binti), or a Nigerian girl wielding ancestral powers in the shadow of climate catastrophe (Who Fears Death), her narratives defy the conventions of both Western science fiction and traditional fantasy. They don’t just bend genre—they build new worlds from the bones of old ones.

