The Uncanny
Richard Storm is passionate, hot-blooded, and running out of time. Sophia Endering is cool, beautiful, and haunted by a centuries-old mystery. Now the Hollywood filmmaker and the troubled young woman have come together in a race against the unbelievable, the unthinkable, and... The Uncanny.
Richard Storm reached the top of his profession producing horror films based on classic English ghost stories. Now, with his life beginning to unravel, Richard is searching for something to believe in. Fleeing Hollywood for London, he embarks on a desperate quest: to find evidence that the great old stories bear some truth, that the human spirit lives on after death.
What he finds is Sophia, a woman caught in a nightmare more chilling than any of his film horrors. Propelled by a furious love, haunted by a terror he can barely confess to himself, Storm pursues Sophia through the labyrinth of her family's madness and their involvement in Nazi art thefts, down a trail formed by the classic ghost stories themselves - into the very heart of the uncanny...
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Andrew Klavan
Andrew Klavan, (born 1954), known also by his pen name Keith Peterson, is an American writer of mystery novels, psychological thrillers, and screenplays for "tough-guy" mystery films. Two of Klavan's books have been adapted into motion pictures: True Crime (1999) and Don't Say A Word (2001). He has been nominated for the Edgar Award four times and has won twice. Playwright and novelist Laurence Klavan is his brother.
Klavan also has written columns and appeared as a political commentator for a variety of conservative publications such as the news-magazine City Journal and PJ Media.
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