In the golden era of sci-fi TV, why were alien crustaceans so darned literal? Beloved 1950′s star Uncle Wonder must create the ultimately irreverent television show — else lobsters from outer space will inflict their death-ray on an unsuspecting viewership.
It is New York City, 1953. The new medium of live television has been kind to young pulp-fiction writer Kurt Jastrow. Not only does he enjoy scripting a popular children’s space opera, Brock Barton and His Rocket Rangers, he also plays an eccentric tinkerer on Uncle Wonder’s Attic.
But Kurt’s world is thrown into disarray when two extraterrestrial lobster-like creatures arrive at the studio. Certain that the audience for a religious program program represents “a hive of irrationalist vermin,” the shellfish scheme to vaporize its two million viewers. Kurt and his co-writer have a mere forty hours to write and produce an explicitly rational and utterly absurd script that will somehow deter the aliens from their diabolical scheme.
James Morrow (born 1947) is a fiction author. A self-described "scientific humanist", his work satirises organized religion and elements of humanism and atheism. He lives in State College, Pennsylvania with his wife, Kathryn Smith Morrow, his son, Christopher, and their dogs. His cousin is the journalist Lance Morrow.
