Witch Dance
In the summer of 1518, the citizens of Strasbourg are dancing themselves to death.
Brilliant medical student Evelina del Valle arrives determined to stop the plague before the quarantined city collapses… while keeping a terrible and fatal secret: she’s a witch. But she’s left her coven, her sister, and that life behind her for good. All she wants now is a career in healing.
But Strasbourg’s sickness defies everything she knows about medicine. Every experiment of hers fails in uncovering how and why the plague is spreading. The afflicted cannot stop dancing, and the local physicians insist they must “dance it out,” even as bodies fall and no natural cause can be found.
Then Alaric Keller crosses her path—secretive, dangerous, and bound to the shadowed Black Forest beyond the city walls, where rumors whisper of hidden fae courts, gemstone magic, and bargains struck in the dark. His mother was the plague’s first victim, and he is desperate to save her. He needs Evelina’s help, but the way he looks at her suggests he already knows the secret she keeps—and he threatens to use it against her.
As suspicion tightens and the death toll climbs, Evelina is forced to choose what she’s willing to sacrifice: the life she’s built, the identity she’s hidden, or the man who may not only hold the key to the truth and her heart, but also her ruin.
Because Evelina fears this is no ordinary plague.
And she knows that once the dance begins, it does not stop.
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Isabel Ibañez
Isabel Ibañez writes fantasy that feels rooted in memory, where magic grows out of history and emotion rather than spectacle alone. Her stories often begin with a sense of place, sun-bleached cities, ancient rivers, lost empires, and then slowly reveal the human cost of power, love, and ambition. Readers are drawn to her work for its immersive settings and its insistence that fantasy can question who controls history and whose voices survive it.
Raised in South Florida by Bolivian immigrant parents, Ibañez grew up navigating multiple cultures, languages, and traditions. That lived experience shapes the heart of her novels. Latin American influences, archaeology, folklore, and political tension appear not as decoration, but as integral forces that shape her characters’ choices. Before turning fully to writing, she worked as a graphic designer and illustrator, even founding a letterpress studio. That visual sensibility still lingers in her prose, which tends to be textured and atmospheric, attentive to color, ritual, and detail.
The Spellbound History Quartet
In a Renaissance Italy where art, politics, and magic intertwine, The Spellbound History Quartet invites readers into a world as beautiful as it is dangerous. From the sun‑baked streets of Volterra to the opulent courts of Florence, every alley and cathedral hides secrets, power struggles, and forbidden enchantments that can change the course of history.
The Spellbound History Quartet consists of one book and series is set to expand with the upcoming release of one more book. The current recommended reading order for the series is provided below.

