Contents:
- Introduction
- The Alchemist's Question (1984)
- The Opium General (1984)
- Going to Canada (1980)
- Leaving Pasedena (1980)
- Crossing into Cambodia (1979)
- Starship Stormtroopers (an essay) (1978)
- Nestor Makhno (an essay) (1982)
- Who'll be Next? (an essay) (1984)
This is a collection of Michael
Moorcock's most ambitious recent fiction, the majority of which has
never previously been published and none of which has previously
appeared in hardcover.
The Alchemist's Question is a complete novel – the final Jerry Cornelius story which Moorcock has
been promising his readers for some time. In it he re-examines the main
themes of the Cornelius novels and features all the surviving
characters. The sinister politician/scientist Miss Brunner; her
henchman and promoter of heroin consumption Bishop Beesley and his
daughter Mitzi. They have decided, through their usual bizarre logic,
that the best thing that can happen to England is for them to bring on
the nuclear winter as quickly as possible.
Trying to stop them are
Jerry himself, his sister Catherine, her lover Una Persson and the
amiable but bewildered ex-Indian Army soldier Major Nye. But Miss
Brunner has the upper hand and things look bad for the human race right
up to the finale when our heroes make their last stand against her on
Glastonbury Tor. As in his other Cornelius books Moorcock mixes farce
and sharp political satire to make some telling points about today's
most urgent problems feminism, racialism, imperialism and the Third
World War.
The Opium General is the story of a young woman who has fallen in love with an ex-rock
star turned drug dealer. The last group of stories, Going to Canada,
Leaving Pasadena and Crossing into Cambodia, are told in the first
person by a Russian KGB agent describing the gradual build-up to World
War.
In all these stories Moorcock is writing about personal
responsibility, how the 'little cruelties' we perpetrate in our
day-to-day lives reject, and indeed help create, the conditions which
could some day destroy the planet. In an unusually frank introduction
to the book (which also contains a kind of afterword, three short
pieces of political journalism) Moorcock describes his own political
position and his wholehearted support for the feminist movement.