Made to Kill
Raymond Chandler’s detective fiction meets Lawrence Block’s Keller novels... with robots
In an alternate version of 1960s Los Angeles, the world’s only robot detective has been turned into a hit man by his corrupted master computer.
Ray is good at the job, too — not only does nobody suspect the world’s last robot is a hit man, his fame allows the Electromatic Detective Agency to continue as the perfect front, and with a twenty-four-hour memory limit, he sure can keep a secret.
When a woman arrives at the agency wanting to hire Ray to investigate the brutal murder of a priest, his attempts to dissuade her are overruled when she produces a lucrative advance payment. Profit is profit, and Ray accepts the job, even though the woman demands total anonymity. She tells them not to try to reach her — she’ll call when the time is right — and she vanishes into the city.
Ray’s investigation leads him into a dark world of Hollywood intrigue, where the glamorous jet set societies are under the spell of a mysterious bandage-swathed man. The man and his champagne-sipping circle of followers conduct Satanic rituals behind Hollywood’s razzle-dazzle façade — rituals that lead to... murder!
