Behold the Void
Introduction by Laird Barron.
BEHOLD THE VOID is nine stories of terror that huddle in the dark space between cosmic horror and the modern weird, between old-school hard-edged horror of the 1980’s and the stylistic prose of today’s literary giants.
Revenge takes a monstrous form when a scorned lover acquires bizarre, telekinetic powers; a community swimming pool on a bright summer day becomes the setting for a ghastly nightmare of sacrifice and loss; a thief does bloody battle with a Yakuza for the soul of a horse god; a priest must solve the mystery of a century-old serial killer or risk the apocalypse; a newly-married couple discover that relationships-gone-bad can be poisonous, and deadly; a child is forced to make an ultimate choice between letting his parents die or living with the monsters they may become; and when a boy is trapped on a beach at low tide, he must face death in many forms – that of the rising water coming to consume him and the ghost of his dead mother who wants him back, reaching for him with dark, longing arms…
Contents:
- Soft Construction of a Sunset
- Altar
- The Horse Thief
- Coffin
- The Baby Farmer
- Surfer Girl
- Mother
- Fail-Safe
- Mandala
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Philip Fracassi's name might not yet be whispered alongside the giants of horror, but those who have dared to enter the dark and twisted worlds he crafts know that his work leaves a lasting impression. Fracassi’s writing isn’t just about fear—it’s about the way fear clings to the edges of the ordinary, distorting the familiar into something nightmarish. His stories tend to veer into unsettling, psychological terrain, where horror isn’t a matter of what’s seen, but of what’s felt. In his worlds, the scariest monsters are often the ones lurking within ourselves.