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  • Herald Classics
  • Five Ways to Forgiveness

Five Ways to Forgiveness

Herald Classics
by Ursula K. Le Guin
Five Ways to Forgiveness (Herald Classics) by Ursula K. Le Guin
Unrated

A companion to Ursula K. Le Guin's award-winning Hainish novels—including The Left Hand of Darkness and The Dispossessed—Five Ways to Forgiveness tells the story of the planet Werel and its colony planet Yeowe, and how their societies are shaped by the legacies of slavery and revolution.

When the enslaved people on the colony Yeowe (called "assets") overthrow the slave-holding class (called "owners"), the owners on neighboring Werel launch a war to preserve the master-slave society that undergirds the economy of both planets. Told from the perspectives of people caught in the crosshairs of the struggle, the stories in this collection are linked by the character "Old Music," an Ekumen ambassador who is secretly working as an abolitionist and supporter of Yeowe's emancipation. Together they ask: What does forgiveness look like in a world riddled by racism and caste?

In "Betrayals," a disgraced revolutionary leader makes peace with his past. In the intersectional "Forgiveness Day," a female ambassador from the Ekumen struggles with the patriarchal culture of Werel, while "A Man of the People" tells the life story of a male Ekumen ambassador to Yeowe. "A Woman's Liberation" tells the story of a woman who, after escaping to freedom, must reckon with the internalized racism that still enchains her. And finally, the story "Old Music and the Slave Women" braids the collection together and counts the cost of justice.

First published in 1994 as Four Ways to Forgiveness, this is the first standalone edition that includes the fifth story, "Old Music and the Slave Women," that Le Guin wrote years after to augment this extraordinary, vital suite.

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FantasyScience Fiction
Release date: February 25, 2025 (Union Square & Co.)

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Ursula K. Le Guin

Ursula K. Le Guin

In a literary landscape often dominated by action and conquest, Ursula K. Le Guin carved quiet, radical paths—through forests of magic, across alien planets, and into the deep folds of human nature. Her stories didn’t shout; they asked, wondered, and listened. Through them, she reimagined what science fiction and fantasy could be—not just a reflection of our world, but a transformation of how we see it.

Born in 1929 to a family steeped in stories and scholarship—her father was an anthropologist, her mother a writer and the biographer of Ishi—Le Guin was raised among mythologies, cultural curiosity, and a profound respect for the power of narrative. These early influences are stitched into every book she wrote, from A Wizard of Earthsea to The Left Hand of Darkness.

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Her science fiction was never just about technology or alien landscapes. Instead, Le Guin used speculative settings to explore themes of gender, power, language, and balance. In The Left Hand of Darkness, she envisioned a world without fixed gender roles long before mainstream conversations began catching up. In The Dispossessed, she built an anarchist society and interrogated what freedom really means. Always, her stories resisted easy answers.

Le Guin’s writing style was spare yet lyrical, rich with poetic rhythm and a deep sense of philosophical quiet. She once said, “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now.” She was one of those voices—visionary not because she predicted the future, but because she dared to imagine futures that didn’t mirror the mistakes of the past.

Over her lifetime, she won almost every major award in speculative fiction—Hugo, Nebula, Locus, and National Book Awards among them. But perhaps her most enduring legacy is how she reshaped the boundaries of genre. Le Guin didn’t just write fantasy and science fiction—she elevated them, proving they could be vessels for philosophy, sociology, and poetry.

She lived most of her life in Portland, Oregon, far from the publishing epicenters of New York or London. That distance seemed fitting—Le Guin always stood just outside the expected, looking in with clear eyes and quiet defiance. She passed away in 2018, but her words remain—to comfort, to provoke, and to remind readers that power and gentleness are not opposites.

Whether you're discovering the Archipelago of Earthsea or walking the icy plains of Gethen, Le Guin's stories don’t just transport you—they transform you. In her universe, the journey is never just across space, but inward, toward empathy, understanding, and change.

Photo: Eileen Gunn

Herald Classics

Herald Classics consists of 2 total books. The current recommended reading order for the series is provided below.

Greatest Hits (Herald Classics)
Unrated
Five Ways to Forgiveness (Herald Classics)
Unrated


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