Garden of Beasts
Paul Schumann, a German-American living in New York City in 1936, is a mobster hit man known equally for his brilliant tactics and for taking only “righteous” jobs. But when a hit goes wrong and Schumann is nabbed, he’s offered a stark choice: kill Reinhard Ernst, the man behind Hitler’s rearmament scheme, and walk free forever—or be sent to Sing-Sing and the electric chair.
The instant Paul sets foot in Berlin his mission becomes a deadly cat-and-mouse chase, with danger and betrayal lurking at every turn. For the next forty-eight hours, as the city prepares for the coming summer Olympics, Schumann stalks Ernst, while a dogged criminal police officer and the entire Third Reich security apparatus search frantically for the American. Packed with fascinating period detail and featuring a cast of perfectly realized local characters, Olympic athletes, and senior Nazi officials—some real, some fictional—Garden of Beastsdishes up breathtaking action, a wrenching look at Nazi-era Berlin, and a series of stunning plot twists. It is classic Deaver. (And there is also a slight Lincoln Rhyme connection for the discerning reader to find.)
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Jeffery Deaver
Long before The Bone Collector introduced the calculating brilliance of Lincoln Rhyme to readers around the world, Jeffery Deaver was already quietly assembling the tools of his trade: a fascination with psychology, a sharp legal mind, and a love of music that taught him how to pace a story like a song, with rising tension, sudden drops, and crescendos that leave you breathless.
Born outside Chicago in 1950, Deaver’s path to becoming one of the most inventive voices in modern crime fiction wasn’t linear. He studied journalism, practiced law, and even considered a career in folk music before finding his stride in fiction. That varied background seeps into his novels, where legal nuance, technical precision, and psychological complexity collide in plots that are always one twist ahead of the reader.
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