The Bodies Left Behind
When a night-time call to 911 from a secluded Wisconsin vacation house is cut short, offduty deputy Brynn McKenzie leaves her husband and son at the dinner table and drives up to Lake Mondac to investigate. Was it a misdial or an aborted crime report?
Brynn stumbles onto a scene of true horror and narrowly escapes from two professional criminals. She and a terrified visitor to the weekend house, Michelle, flee into the woods in a race for their lives. As different as night and day, and stripped of modern-day resources, Brynn, a tough deputy with a difficult past, and Michelle, a pampered city girl, must overcome their natural reluctance to trust each other and learn to use their wits and courage to survive the relentless pursuit. The deputy’s disappearance spurs both her troubled son and her new husband into action, while the incident sets in motion Brynn’s loyal fellow deputies and elements from Milwaukee’s underside. These various forces race along inexorably toward the novel’s gritty and stunning conclusion.
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Jeffery Deaver
Long before The Bone Collector introduced the calculating brilliance of Lincoln Rhyme to readers around the world, Jeffery Deaver was already quietly assembling the tools of his trade: a fascination with psychology, a sharp legal mind, and a love of music that taught him how to pace a story like a song, with rising tension, sudden drops, and crescendos that leave you breathless.
Born outside Chicago in 1950, Deaver’s path to becoming one of the most inventive voices in modern crime fiction wasn’t linear. He studied journalism, practiced law, and even considered a career in folk music before finding his stride in fiction. That varied background seeps into his novels, where legal nuance, technical precision, and psychological complexity collide in plots that are always one twist ahead of the reader.
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