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Cujo by Stephen King [spoilers]

Cujo by Stephen King
Cujo
by Stephen King

Cujo slept.

He lay on the verge of grass by the porch, his mangled snout on his fore-paws. His dreams were confused, lunatic things. It was dusk, and the sky was dark with wheeling, red-eyed bats. He leaped at them again and again, and each time he leaped he brought one down, teeth clamped on a leathery, twitching wing. But the bats kept biting his tender face with their sharp little rat-teeth. That was where the pain came from. That was where all the hurt came from. But he would kill them all. He would–

Cujo is a two-hundred-pound Saint Bernard, the beloved family pet of the Joe Cambers of Castle Rock, Maine, and the best friend ten-year-old Brett Camber has ever had. One day Cujo pursues a rabbit into a bolt-hole – a cave inhabited by some very sick bats. What happens to Cujo, and to those unlucky enough to be near him, makes for the most heart-squeezing novel Stephen King has yet written.

Vic Trenton, New York adman obsessed by the struggle to hand on to his one big account, his restive and not entirely faithful wife, Donna, and their four-year-old son, Tad, moved to Castle Rock seeking the peace of rural Maine. But life in this small town – evoked as vividly as a Winesburg or a Spoon River – is not what it seems. As Tad tries bravely to fend off the terror that comes to him at night from his bedroom closet, and as Vic and Donna face their own nightmare of a marriage suddenly on the rocks, there is no way they can know that a monster, infinitely sinister, waits in the daylight, and that the fateful currents of their lives will eddy closer and faster to the horrifying vortex that is Cujo.

Stephen King has never written a book in which readers will turn the pages with such a combination of anticipation and dire apprehension. Doing so, they will experience an absolute master at work.

06/08/2026
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I love this book, but I can think of just one reason it doesn’t entirely succeed as a novel: The ending. It’s why I I usually prefer the film version; I don’t often appreciate young children dying in horror stories. To me, it works if there’s a point in writing such a story this way, as in Suffer the Children by John Saul. But by making Tad one of the main characters in this book and focusing on his struggle for survival alongside his mother, it feels like a huge disappointment and makes it seem pointless to have come with him so far on his journey.

Whether you view this as an article, a review or the start of a discussion, I apologize to any and all readers who read this and have not read the book for providing this spoiler. But if this is often how you start a conversation on this website, as a guest or otherwise, here’s a great conversation I can get started right here: I usually read paperback books and, when I read horror novels as old as Cujo or, let’s say, any horror novels or horror fiction old enough to have been published in the 20th century, I always like looking for old paperback editions, which is why I shop for them in thrift stores. Any reader of nonfiction books on the subject of horror fiction who has read Paperbacks from Hell by Grady Hendrix knows why: I love those old school covers!
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