The Totems of Abydos
In a far-off future, two anthropologists — gross, powerful, dissolute Emilio Rodriguez, and aspiring, young, naïve Allan Brenner, who, unbeknownst to himself, carries ancient genes of a sort no longer welcome on Home World — have been assigned to conduct a study on Abydos, a deeply forested wilderness planet of little note whose only evidence of civilization is a single enclave: small, rough, dingy Company Station, a fueling station occasionally utilized by star freighters.
Within the forest, some days from Company Station, are the Pons, a group of small, simian‑type organisms that seem near the crossroads between animal and rational creature, between nature and culture. They would appear to constitute an ideal object of study with respect to the origins and foundations of civilization. How it came about, so to speak, that something once emerged from the lair, or cave, that was so radically different? What lies at the beginning?
The results of the study have already been politically prescribed on Home World, that the Pons are to shed light on humanity, that it is, in its original and unspoiled nature, polite, sweet, kind, deferent, diffident, social, noncompetitive, and innocent. Both Rodriguez and Brenner have a trait in common, however, which may explain why they have been sent — exiled, in a sense — to such an out‑of‑the‑way locale. Both seek the truth. They enter the forest.
Readers also enjoyed
John Norman
Long before his name became a lightning rod in speculative fiction circles, John Norman was simply John Frederick Lange Jr.—a philosophy professor with a fascination for power, myth, and the boundaries of human freedom. That academic lens never quite left his work, even as he stepped into the realm of science fiction and fantasy, where he would go on to build one of the most controversial and enduring cult sagas in genre history.
Norman is best known for his Chronicles of Gor, a sweeping sword-and-planet epic that began in the late 1960s with Tarnsman of Gor and sprawled into dozens of books. Set on a parallel world governed by a blend of ancient ideals, warrior cultures, and interplanetary manipulation, the series is equal parts philosophy text and adventure tale. It isn’t just escapism—it’s a provocation. Themes of dominance, societal roles, and nature vs. civilization form the backbone of his worldbuilding, often pushing readers to wrestle with questions that reach far beyond fiction.

